Glasgow Barons Pandemonium
The Govan-based orchestra Glasgow Barons, founded and directed by Paul McAlindin, has announced an ambitious and eclectic digital season of seven concerts filmed in Glasgow venues and building into an archive available free to view via Vimeo.
The series begins on Thursday January 7, with a programme of songs of exile, set to an electronic score by Hamish MacLeod and filmed by him with sound engineering by Tim Cooper at Govan and Linthouse Parish Church. MacLeod is joined by Hannah Rarity, Midya Xan and Aref Ghorbani in exploring repertoire that ranges from Gaelic songs of the Highland Clearances to Kurmanji Kurdish and Farsi lyrics of life as a refugee in Scotland today.
MacLeod and Cooper are also behind the realisation of the Thursday January 28 concert, entitled Flux, for which composer Matthew Ward has worked with Shona MacKay and Nick Olsen from the Royal Conservatoire of Scotland on a five-movement suite exploring the power and memory of water.
The MacLeod Hall of Govan’s Pearce Institute is the venue for performances of Tchaikovsky’s Serenade for Strings (January 21) and Thea Musgrave’s Night Windows (Wednesday January 13). On the latter the orchestra is joined by oboe soloist Amy Turner. Concerts of William Sweeney’s Sian Orainn, originally written for the Scottish Chamber Orchestra, and of Alasdair Nicolson’s Stramash, commissioned by the City of London Sinfonia, have been filmed at SWG3 on the other side of the Clyde, and are premiered on February 4 and 11 respectively.
The season concludes with a live recording of Steg G’s new album Live Todays on March 4, featuring new pieces by RCS graduates Aidan Teplitsky – entitled Almost Achilles, Always the Heel – and by Kevan O’Reilly – Scotland versus Scotland.
The films are part of the orchestra’s residency project with Glasgow Life and will be available from 7pm of the day of release via glasgowbarons.com and remain online for a year.