Steven Osborne @ 50
STEVEN OSBORNE / 50th Birthday Concert
Wigmore Hall, London
Current circumstances prevent friends gathering for a major birthday bash; but there’s a way round it if you happen to be a highly-respected solo pianist and your close friends also warrant a place among today’s classical music elite.
Thus Steven Osborne and friends were the starry concert party last Friday in an audience-less 50th birthday bash for the Scots pianist, forming part of the Wigmore Hall’s excellent live-streamed concert series, and featuring music chosen by Osborne himself. The outcome was a warm-hearted feast of Schubert and Ravel.
The friends – if you’ve followed Osborne in the many brilliant collaborations he has enjoyed over and above his international solo career – were personally chosen and predictably so: pianist Paul Lewis, the other half of a recently-released duo album with Osborne, the soprano Ailish Tynan, violinist Alina Ibragimova, Lewis’ cellist wife Bjørg Lewis, and Osborne’s own wife, clarinettist Jean Johnson. Their socially-distanced presence was a sequence of duo and trio combinations.
Osborne’s single solo contribution came in the magically impressionistic sonorities of La Vallée des Cloches from Ravel’s 1904-5 suite Miroirs, which he introduced as “an aperitif” to the same composer’s Piano Trio in A minor – a typically modest touch; a typically breathtaking performance.
As for the Piano Trio – the personally chosen favourite around which Osborne planned the rest of his programme – its homogenous warmth summed up the extraordinary musical symbiosis that had thus far distinguished an evening beginning with the intimate salon charm of Schubert’s The Death and the Maiden (Osborne, Johnson and Tynan relishing – as we all are at the moment – the ultimate anticipation of Spring), and the Fantasie in F Minor for piano duo.
In the latter, Osborne and a masked Paul Lewis went for the Covid-safe option of two separate pianos rather than the one-piano-four-hands Schubert intended, but the outcome was one of singular entrancement, an interaction of instant and instinctive ideas, and never once a suggestion that either pianist was going it alone.
But it was that final Ravel which summed up the true nature of this celebration. It was not about noisy prima donna voices showing off among themselves, but rather a cosy respect for the music that defines their lives. The Trio featured the lustrously tasteful violin playing of Ibragimova alongside the equally amenable Bjørg Lewis and Osborne, all with personal flavourings to offer, but always with the common goal of respecting Ravel’s unmatchable ear for instrumental colour.
The story goes that Ravel picked up the opening theme of the Piano Trio from watching ice cream vendors dancing a fandango on the Basque coast. That’s as riotous as this exquisitely tasteful birthday celebration got. No encore, no histrionics, just a quiet recognition by some fine musicians that they were able to share a good friend’s special moment together.
Available to watch at www.wigmore-hall.org.uk