It is a measure of the confident way that Scotland’s national orchestra has dealt with the restrictions imposed on its work by the coronavirus pandemic – and coped with many enforced changes of plan along the way – that it is able to launch a new season in upbeat and positive style.
The headline news is the extension of the contract of Music Director Thomas Sondergard to the autumn of 2024. The further three years of commitment to the RSNO come as the Danish conductor is preparing to make his debut with the Berlin Philharmonic on Saturday, stepping into the shoes of Sir Donald Runnicles to direct a programme of Prokofiev, Sibelius and Kurt Weill.
For Sondergard, the important analogy is that he has found the same warmth and eagerness to work in the German capital that he encountered in his first dealings with the RSNO. He also suggests that the work the Scottish orchestra has made available to a global audience with its online programme during the health emergency has enhanced reputations far beyond its home audience, which is likely to prove crucial if touring proves problematic in the future.
That optimistic tone is echoed by chief executive Alistair Mackie, whose pre-COVID enthusiasm to develop the orchestra’s online work has necessarily moved to the top of the agenda over the past year. “It is true that we have made progress,” says Mackie. “We have learned a lot from our first Digital Season, and, as many of our audiences will know, we often had to move quickly and adapt to travel and working conditions that changed with very little notice. I want to thank our audiences for the support they have shown us during this time.”
The new season will begin on Friday April 16 when Sondergard conducts a concert in the strand of Polish music announced nearly a year ago, including the Violin Concerto No 1 by Karol Szymanowski with Nicola Benedetti as soloist. Benedetti also closes the season on Friday June 11, when she plays Szymanowski’s Second Violin Concerto, working with the orchestra’s principal guest conductor, Elim Chan.
Says Sondergard: “It is incredible to think that little over a year ago myself and the full RSNO Orchestra were touring Europe with Nicola Benedetti, performing in sold-out venues, and experiencing standing ovations night after night. We could not have imagined the experiences of the past year were waiting just around the corner.
“The past year has been difficult for all of us, and sadly tragic for so many people. Music is our way of expressing and sharing our moments of grief and frustration, but also the moments of happiness and hope that help get us through these extraordinary times.”
Up until now, the behind-closed-doors concerts have been filmed in the orchestra’s rehearsal space in the RSNO Centre, but the new programme will be recorded in Glasgow Royal Concert Hall next door following its successful use for the online incarnation of the Celtic Connections festival last month.
The move enables compliance with social distancing guidelines for up to 75 musicians on the extended stage, when fewer than 60 could be playing together in the RSNO Centre, making areas of repertoire possible once more. The two concerts Chan conducts in June will include the Concertos for Orchestra by Bela Bartok and Witold Lutoslawski, the latter partnered by Chopin’s Piano Concerto No1 played by Benjamin Grosvenor, recreating the line-up on last year’s prize-winning recording of the work.
Lutoslawski also features in the May 14 debut of Polish conductor Marta Gardolinska with the orchestra, when his Mala suita prefaces Dvorak’s Seventh Symphony, and in a chamber music concert a fortnight later, when principal oboe Adrian Wilson is soloist in his Epitaph for Oboe and Piano and Lena Zeliszewska plays Szymanowski’s Violin Sonata in D Minor.
The season also salvages more of the “Scotch Snaps” planned for the 20/21 live concerts – short pieces by contemporary Scottish composers, with works by Michael Murray, Craig Armstrong and Christopher Duncan. The first of these is included in a chamber music concert featuring pianist Paul Lewis, who featured in the RSNO’s recent all-Grieg concert conducted by Ed Gardner, and the Armstrong precedes Samuel Barber’s Violin Concerto, played by orchestra leader Maya Iwabuchi and conducted by Angus Webster.
Principal cello Aleksei Kiseliov is joined by pianist Alasdair Beatson for a programme of chamber music by Beethoven, Strauss and Dvorak on May 7 and conductor Kevin John Edusei is on the podium on May 21 for Schumann’s Second Symphony, Mahler’s Blumine and soprano Susanna Hurrell and baritone Marcus Farnsworth singing Schubert as arranged by Brahms.
An individual subscription to the new season is £85, with a household subscription priced at £150. Individual concerts are prices at £10 and £20 and there is a concessionary rate of £27 for all nine concerts, or £3 each, available to full-time students, those under 26 and people with disabilities or who are unemployed.
Download the season brochure and book tickets at rsno.org.uk